Yamaha DSP-A1092 Návod k obsluze

Natural Sound AV Amplifire

Amplificateur audiovisuel “Son Naturel”

Natural Sound AV-Verstärker

Natural Sound AV-förstärkare

Amplificatore AV a suono naturale

Amplificador AV de Sonido Natural

Natural Sound AV Versterker

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

POWER

VCR 2 DVD

/

LDVCR 1

VIDEO AUX

TAPE (MD) TV/DBS

TUNER

CD

PHONO

VOLUME

l6

20

28

40

60

l2

8

4

2

0

–dB

SPEAKERSPHONES

A

ON

OFF

B

BASS

EXTENSION

TONE

BYPASS

BASS TREBLE BALANCE

55

4

3

2

l

0

l

2

3

4

LR

55

4

3

2

l

0

l

2

3

4

55

4

3

2

l

0

l

2

3

4

VIDEO AUX

S VIDEO VIDEO L AUDIO R

DELAY

/

C

/

R

/

F

/

SWFR

EFFECT

PROGRAM

SET

MENU

NATURAL SOUND AV AMPLIFIER

DSP–A1092

CINEMA DSP

7ch

VCR 2

VIDEO AUX

REC OUT

VCR 1

TV/DBS

PHONO

CD

TUNER

DVD/LD

SOURCE

TAPE (MD)

Congratulations!

You are the proud owner of a Yamaha Digital Sound Field Processing (DSP) System—an

extremely sophisticated audio component. The DSP system takes full advantage of Yamaha’s

undisputed leadership in the field of digital audio processing to bring you a whole new world of

listening experiences. Follow the instructions in this manual carefully when setting up your system,

and the DSP system will sonically transform your room into a wide range of listening

environments—anything from a famous concert hall to a cozy jazz club. In addition, you get

incredible realism from Dolby-Surround encoded video sources using the built-in Dolby Pro Logic

Surround Decoder and Dolby Digital (AC-3) Decoder.

Seven built-in channels of amplification on this model mean that no additional amplifiers are

required to enjoy advanced digital sound field processing.

Rather than tell you about the wonders of digital sound field processing, however, let’s get right

down to the business of setting up the system and trying out its many capabilities. Please read this

operation manual carefully and store it in a safe place for later reference.

1

English

1. AVOID EXCESSIVE HEAT, HUMIDITY, DUST

AND VIBRATION

Keep the unit away from locations where it is likely to be

exposed to high temperatures or humidity—such as

near radiators, stoves, etc. Also avoid locations which

are subject to excessive dust accumulation or vibration

which could cause mechanical damage.

2. INSTALL THE UNIT IN WELL-VENTILATED

CONDITION

The openings on the cabinet assure proper ventilation

of the unit. If these openings are obstructed, the

temperature inside the cabinet will rise rapidly.

Therefore, avoid placing objects against these

openings, and install the unit in well-ventilated

condition. Make sure to allow a space of at least 10

cm behind, 20 cm on the both sides and 30 cm above

the top panel of the unit. Otherwise it may not only

damage the unit, but also cause fire.

3. KEEP THE AC POWER PLUG

DISCONNECTED DURING VACATION ETC.

When not planning to use this unit for long periods of

time (ie., vacation, etc.), disconnect the AC power

plug from the wall outlet.

4. AVOID PHYSICAL SHOCKS

Strong physical shocks to the unit can cause damage.

Handle it with care.

5. DO NOT OPEN THE UNIT OR ATTEMPT

REPAIRS OR MODIFICATIONS YOURSELF

This product contains no user-serviceable parts. Refer

all maintenance to qualified Yamaha service personnel.

Opening the unit and/or tampering with the internal

circuitry will make servicing difficult and will endanger

you and your unit.

6. MAKE SURE POWER IS OFF BEFORE

MAKING OR REMOVING CONNECTIONS

Always turn power OFF prior to connecting or

disconnecting cables. This is important to prevent

damage to the unit itself as well as other connected

equipment.

7. HANDLE CABLES CAREFULLY

Always plug and unplug cables—including the AC

cord—by gripping the connector, not the cord.

8. CLEAN WITH A SOFT DRY CLOTH

Never use solvents such as benzine or thinner to clean

the unit. Wipe clean with a soft, dry cloth.

9. USE THIS UNIT WITH THE CORRECT

VOLTAGE

The voltage to be used must be the same as that

specified on this unit. Using this unit with a higher

voltage than that which is specified is dangerous and

may result in a fire or other type of accident causing

damage. YAMAHA will not be held responsible for any

damage resulting from use of this unit with a voltage

other than that which is specified.

10.KEEP AWAY FROM TUNERS

Digital signals generated by the unit may interfere with

other equipment such as tuners, receivers or TVs. Move

the system farther away from such equipment if

interference is observed.

IMPORTANT!

Please record the model and serial number of your

unit in the space below.

Model:

Serial No.:

The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future

reference.

Voltage Selector (General Model only)

The voltage selector on the rear panel of this unit

must be set for your local mains voltage

BEFORE plugging into the AC mains supply.

Voltages are 110/120/220/240 AC, 50/60 Hz.

WARNING

To reduce the risk of fire or electric shock, do not

expose this unit to rain or moisture.

For U.K. customers

If the socket outlets in the home are not suitable for

the plug supplied with this appliance, it should be cut

off and an appropriate 3 pin plug fitted. For details,

refer to the instructions described below.

Note: The plug severed from the mains lead must be

destroyed, as a plug with bared flexible cord is

hazardous if engaged in a live socket outlet.

SPECIAL INSTRUCTIONS FOR U.K. MODEL

IMPORTANT

The wires in the mains lead are coloured in

accordance with the following code.

Blue: NEUTRAL

Brown: LIVE

As the colours of the wires in the mains lead of this

apparatus may not correspond with the coloured

markings identifying the terminals in your plug,

proceed as follows. The wire which is coloured BLUE

must be connected to the terminal which is marked

with the letter N or coloured BLACK. The wire which is

coloured BROWN must be connected to the terminal

which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the

earth terminal of the three pin plug.

The apparatus is not disconnected from the AC

power source as long as it is connected to the wall

outlet, even if the apparatus itself is turned off.

WARNING

Do not change the IMPEDANCE SELECTOR

switch setting while the power to this unit is

on, otherwise this unit may be damaged.

PRECAUTIONS & SAFETY INSTRUCTIONS

A

B

SWITCHED

AC OUTLETS

IMPEDANCE SELECTOR

VOLTAGE SELECTOR

I20W

MAX.

TOTAL

CENTER C OR D: 4

Ω

MIN./ SPEAKER

SET SPEAKER MODE

C

D: 4

Ω

MIN./ SPEAKER

SET SPEAKER MODE

REAR

4

Ω

MIN./ SPEAKER

MAIN

A

OR

B: 4

Ω

MIN./ SPEAKER

A B

: 8

Ω

MIN./ SPEAKER

FRONT EFFECT

: 6

Ω

MIN./ SPEAKER

CENTER C OR D: 8

Ω

MIN./ SPEAKER

SET SPEAKER MODE

C

D: 4

Ω

MIN./ SPEAKER

SET SPEAKER MODE

REAR

8

Ω

MIN./ SPEAKER

MAIN

A

OR

B: 8

Ω

MIN./ SPEAKER

A B

: 6

Ω

MIN./ SPEAKER

FRONT EFFECT

: 8

Ω

MIN./ SPEAKER

IMPEDANCE

SELECTOR

(General model)

PRECAUTIONS & SAFETY INSTRUCTIONS...................................1

GETTING STARTED ...........................................................................3

FEATURES ..........................................................................................5

SPEAKER SETUP.............................................................................10

CONTROLS & THEIR FUNCTIONS.................................................13

FRONT PANEL................................................................................13

DISPLAY PANEL.............................................................................16

CONNECTIONS.................................................................................17

REAR PANEL PARTS AND THEIR FUNCTIONS .........................17

REAR PANEL SWITCH AND CONTROL SETTINGS...................20

GENERAL INSTRUCTIONS FOR CONNECTIONS.....................20

CONNECTING AUDIO/VIDEO SOURCE EQUIPMENT

TO THIS UNIT.................................................................................21

CONNECTING SPEAKER SYSTEMS...........................................25

SELECTING THE OUTPUT MODES SUITABLE FOR YOUR

SPEAKER SYSTEM .......................................................................30

SPEAKER BALANCE ADJUSTMENT ............................................33

ADJUSTMENTS IN THE “SET MENU” MODE...............................35

GENERAL OPERATION...................................................................38

PLAYING A SOURCE.....................................................................38

RECORDING A SOURCE TO AUDIO/VIDEO TAPE

(OR DUBBING FROM A TAPE TO ANOTHER) ............................40

SELECTING SOUND FIELD PROGRAMS......................................42

CANCELING THE EFFECT SOUND.............................................43

DESCRIPTIONS OF THE SOUND FIELD PROGRAMS..............44

ADJUSTING DELAY TIME AND EACH SPEAKER OUTPUT

LEVEL..............................................................................................47

SETTING THE SLEEP TIMER..........................................................49

REMOTE CONTROL UNIT ...............................................................50

BASIC OPERATIONS (When the lid is open) ................................50

LEARNING NEW CONTROL FUNCTIONS (When the lid is open)

.........................................................................................................52

USING OPERATION CONTROL KEYS (When the lid is closed)

.........................................................................................................55

MACRO OPERATIONS (When the lid is closed) ...........................58

LEARNING A NEW FUNCTION.....................................................61

MAKING A NEW MACRO...............................................................63

CLEARING LEARNED FUNCTIONS.............................................64

TROUBLESHOOTING ......................................................................66

SPECIFICATIONS .............................................................................68

2

CONTENTS

3

English

GETTING STARTED

Unpacking

If you haven’t already done so, carefully remove this unit and its

accessories from the box and wrapping material. You should find the

unit itself and the following accessories.

Installing the Remote Control Unit Batteries

Since the remote control unit will be used for many of this unit’s

control operations, you should begin by installing the supplied

batteries.

1. Turn the remote control unit over and slide the battery

compartment cover downward in the direction of the arrow.

2. Insert the batteries (LR6, AA, UM-3 type), being careful to align

them with the polarity markings on the inside of the battery

compartment.

3. Close the battery compartment cover.

* After you insert batteries (or you exchange batteries with new

ones), press the RESET button before using the remote control

unit.

Remote control

User function stickers

Batteries

1

3

2

RESET button

4

Notes about the Remote Control Unit

● When you notice that remote control operation has become

erratic, or the distance from which the remote control will function

has decreased, it’s time to replace the batteries. Always replace all

batteries at the same time.

● This remote control uses an advanced, highly directional infrared

beam. Be sure to aim the remote control directly at the remote

control sensor on the main unit when operating.

Remote control transmitter operation range

Notes

●

There should be no large obstacles between the remote control

unit and the main unit.

●

If the remote control sensor is directly illuminated by strong

lighting (especially an inverter type of fluorescent lamp etc.), it

might cause the remote control unit to work incorrectly. In this

case, reposition the main unit to avoid direct lighting.

Open/close the control door

When it is not necessary to operate controls inside the control

door, close the door.

To open the door

To close the door

30°

Remote control

sensor

Within approximately

6 m (19.7 feet)

5

English

This unit incorporates a sophisticated, multi-program digital

sound field processor. The processor allows you to electronically

expand and change the shape of the audio sound field from both

audio and video sources, creating a theater-like experience in your

listening room. This unit has a total of 10 digital sound field

processor (DSP) modes. You can create an excellent audio sound

field by selecting a suitable sound field (this will, of course, depend

on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround

decoder and Dolby Digital (AC-3) decoder for multi-channel sound

reproduction of Dolby Surround encoded video sources. The

operation of the Dolby Pro Logic Surround or Dolby Digital (AC-3)

decoder can be controlled by selecting a corresponding DSP

program including combined operations of the Yamaha DSP and

the Dolby Pro Logic Surround or Dolby Digital (AC-3) decoder.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to the

sound of a live performance, but chances are you’ll still notice

something missing, the acoustic environment of the live concert

hall. Extensive research into the exact nature of the sonic

reflections that create the ambience of a large hall has made it

possible for Yamaha engineers to bring you this same sound in

your own listening room, so you’ll feel all the sound of a live

concert. What’s more, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture the

acoustics of a variety of actual concert halls, jazz clubs, theaters,

etc. from around the world, to allow you to accurately recreate any

one of these live performance environments, all in your own home.

FEATURES

6

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar

to professional Dolby Stereo decoders used in many movie

theaters. By using the Dolby Pro Logic Surround decoder, you can

experience the dramatic realism and impact of Dolby Surround

movie theater sound in your own home. Dolby Pro Logic employs a

four channel five speaker system. The Pro Logic Surround system

divides the input signal into four levels: the left and right main

channels, the center channel (used for dialog), and the rear

surround sound channels (used for sound effects, background

noise, and other ambient noises). The center channel allows

listeners seated in even less-than-ideal positions to hear the dialog

originating from the action on the screen while experiencing good

stereo imaging. Dolby Surround is encoded on the sound track of

pre-recorded video tapes, laser discs, and some TV/cable

broadcasts. When you play a source encoded with Dolby Surround

on this unit, the Dolby Pro Logic Surround decoder decodes the

signal and distributes the surround-sound effects.

This Dolby Pro Logic Surround Decoder employs a digital

signal processing system. This system improves the stability of

sound at each channel and crosstalk between channels, so that

positioning of sounds around the room is more accurate compared

with conventional analog signal processing systems.

In addition, this unit features a built-in automatic input balance

control. This always assures you the best performance without

manual adjustment.

Dolby Digital (AC-3)

The built-in Dolby Digital (AC-3) Decoder leads you into a

totally new sound experiences.

Dolby Digital (AC-3) is a new generation of multi-channel digital

audio technology, or the newest spatial sound processing format

developed for 35 mm film-movies by employing a new kind of low

bit-rate audio coding.

Dolby Digital (AC-3) is a digital surround sound system that

provides completely independent multi-channel audio to

consumers. In multi-channel form, Dolby Digital (AC-3) provides

five full range channels in what is sometimes referred to as a “3/2”

configuration: three front channels (left, center and right), plus two

surround channels. A sixth bass-only effect channel is also

provided for output of LFE (low frequency effect), or low bass

effects that are independent of other channels. This channel is

counted as 0.1, thus giving rise to the term 5.1 channels in total.

Compared to Dolby Pro Logic that is referred to a “3/1” system

(left front, center, right front and just one surround channel), Dolby

Digital (AC-3) features two surround channels, called stereo or

split surrounds, each offering the same full range fidelity as the

three front channels.

Sound of wide dynamic range reproduced by the five full range

channels presents listeners much excitement that has never been

experienced before. Precise sound orientation by the discrete

digital sound processing expands realism that the original movie

possesses.

7

English

Laser Disc is a home audio format that could benefit from

Dolby Digital (AC-3). In the near future, Dolby Digital (AC-3) will

also be applied to DBS, CATV, DVD and HDTV. The ongoing

release of Dolby Stereo Digital theatrical films now underway will

provide an immediate source of Dolby Digital (AC-3) encoded

video software.

Manufactured under license from Dolby Laboratories Licensing

Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D symbol

are trademarks of Dolby Laboratories Licensing Corporation.

The following original functions make the surround-sound effect

of Dolby Digital (AC-3) become the most suitable for your audio

system and the listening conditions.

● Dynamic range (sound scale) of source can be changed so

that it will be suitable for the listening conditions.

● Output of low bass from any channel can be assigned to

either the MAIN SPEAKERS terminals or SUBWOOFER

terminals to maximize system performance.

● Output of LFE can be assigned to either the MAIN

SPEAKERS terminals or SUBWOOFER terminals to

maximize system performance.

Dolby Surround + DSP (CINEMA DSP)

Dolby Surround sound system shows its full ability in a large

movie theater, because movie sounds are originally designed to be

reproduced in a large movie theater using many speakers. It is

difficult to create a sound environment similar to that of a movie

theater in your listening room, because the room size, materials of

inside walls, the number of speakers, etc. of your listening room is

much different from those of a movie theater.

Yamaha DSP technology made it possible to present you with

nearly the same sound experience as that of a large movie theater

in your listening room by compensating for lack of presence and

dynamics in your listening room with its original digital sound fields

combined with Dolby Surround sound field.

The YAMAHA “CINEMA DSP” logo indicates those programs

are created by the combination of Dolby Surround and YAMAHA

DSP technology.

CINEMA DSP

7ch

8

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the

rear surround side of the Dolby Pro Logic Surround-decoded

sound field respectively. They create a wide acoustic environment

and emphasize surround-effect in the room, letting you feel much

presence as if you are watching a movie in a popular Dolby Stereo

theater.

This combination is available when the sound field program No.

2, No. 3 or No. 4 is selected, and the input signal of source is

analog, PCM audio or encoded with the Dolby Digital (AC-3) in 2-

channels.

Dolby Digital (AC-3) + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the

independent left and right surround sides of the Dolby Digital (AC-

3)-decoded sound field respectively. They create a wide acoustic

environment and much surround effect in the room without losing

high channel separation. With wide dynamic range of Dolby Digital

(AC-3) sound, this sound field combination lets you feel as if you

are watching a movie in the newest Dolby Stereo Digital theater.

This will be the most ideal home theater sound at the present time.

This combination is available when the sound field program No.

2, No. 3 or No. 4 is selected, and the input signal of source is

encoded with the Dolby Digital (AC-3) (except in 2-channels).

9

English

Video superimpose

If you connect your video cassette recorder, LD player, video

monitor, etc. to this unit, you can take advantage of this unit’s

capability to display program titles and information for various

setting changes and adjustments on your video monitor’s screen.

This information will be superimposed over the video image.

If there is no video source connected or it is turned off, the

information will be displayed over a blue colored background.

NOTE: The program titles and other information are also displayed

on the display panel of this unit.

TEST DSP

EFFECT LEVEL

FRONT 0dB

/

SPEAKERS

A

DSP

10

Setting Up Your Speaker System

This unit has been designed to provide the best sound field

quality with a full seven-speaker system setup, using two extra

pairs of effect speakers to generate the sound field plus one center

speaker for dialog. We therefore recommend that you use a seven-

speaker setup. A four-speaker system using only one pair of effect

speakers for the sound field will still provide impressive ambience

and effects, however, and may be a good way to begin with this

unit. You can always upgrade to the full seven speaker system

later. In the 4 or 5 speaker system, the Digital Sound Field

Processing is still performed, but the main speakers are used for

both the main channels and the front effect channels.

Use of the Center Dialog Speaker Is Recommended

When playing back a source with the DSP programs No. 1

through No. 4, or when the Dolby Digital (AC-3) is decoded with

any DSP program used, if the source contains center-channel

signals, dialog, vocals etc. are output from the center channel.

Therefore, if you want to maximize the performance of your

Audio/Video home theater system, it is recommended that you use

a center channel speaker.

If for some reason it is not practical to use a center speaker, it

is possible to enjoy movie viewing without it. Best results, however,

are obtained with the full system.

Use of a Subwoofer Expands Your Sound Field

It is also possible to further expand your system with the

addition of a subwoofer and amplifier. The use of a subwoofer is

effective not only for reinforcing bass frequencies from any or all

channels, but also for reproducing the LFE (low frequency effect)

sound with high fidelity when playing back a source with the Dolby

Digital (AC-3) decoded. You may wish to choose the convenience

of a Yamaha Active Servo Processing Subwoofer System, which

has its own built-in power amplifier.

SPEAKER SETUP

11

English

4 Speaker System

Simplest system.

You can enjoy widely diffused sound

by only adding two additional speaker

units at the rear.

FRONT MIX switch—Set to ON.

(See page 20.)

CENTER SPEAKER—Set to PHNTM.

(See page 30.)

5 Speaker System

Good for Audio/Video sources.

By the use of center speaker, center

sounds (dialog, vocals etc.) are

precisely localized.

FRONT MIX switch—Set to ON.

(See page 20.)

CENTER SPEAKER—Set to NRML

or WIDE. (See page 30.)

6 Speaker System

Good for sound fields from 2-

channel stereo sources.

When a normal stereo source is

played back with the sound field

programs No. 5 through No. 10, a

sound effect matching that of a 7-

speaker system can be obtained. The

addition of front left and right effect

speakers produces a more effective

sound field.

FRONT MIX switch—Set to OFF.

(See page 20.)

CENTER SPEAKER—Set to PHNTM.

(See page 30.)

7 Speaker System

This is the recommended speaker

system, providing the best sound

effects.

When a normal stereo source is

played back with the sound field

programs No. 5 through No. 10, using

both sets of effect speakers (front and

rear), reproduces the most effective

sound field. When using the sound

field programs No. 1 through No. 4 or

when using any program with the

Dolby Digital (AC-3) decoded, the

center speaker provides precise center

localization.

FRONT MIX switch—Set to OFF.

(See page 20.)

CENTER SPEAKER—Set to NRML

or WIDE. (See page 30.)

Four Possible Types of Speaker System Configurations Recommended

12

Speakers and Speaker Placement

Your full seven-speaker system will require three speaker pairs:

the MAIN SPEAKERS (your normal stereo speakers), the FRONT

EFFECT SPEAKERS and the REAR SPEAKERS, plus the

CENTER SPEAKER. You may also be using a subwoofer.

The MAIN SPEAKERS should be high performance models

and have enough power handling capacity to accept the maximum

output of your audio system.

Other speakers do not have to be equal to the MAIN

SPEAKERS. For precise sound localization, however, it is ideal to

use high performance models that can reproduce sounds in full

range for the CENTER SPEAKER and the FRONT EFFECT and

REAR SPEAKERS.

Place the MAIN SPEAKERS in the normal position.

Place the FRONT EFFECT SPEAKERS further apart than the

MAIN SPEAKERS, on either side of and a few feet behind and

above the MAIN SPEAKER pair.

Place the REAR SPEAKERS behind your listening position.

They should be nearly six feet up from the floor.

Place the CENTER SPEAKER precisely between the two MAIN

SPEAKERS. (To avoid interference, keep the speaker above or

below the television monitor, or use a magnetically shielded

speaker.)

If using a SUBWOOFER, such as a Yamaha Active Servo

Subwoofer System, the position of the speaker is not so critical

because low bass tones are not highly directional.

Main speaker

Front effect speaker

Center speaker

Rear speaker

Subwoofer

13

English

FRONT PANEL

CONTROLS & THEIR FUNCTIONS

POWER

VCR 2 DVD

/

LDVCR 1

VIDEO AUX

TAPE (MD) TV/DBS

TUNER

CD

PHONO

VOLUME

l6

20

28

40

60

l2

8

4

2

0

–dB

SPEAKERSPHONES

A

ON

OFF

B

BASS

EXTENSION

TONE

BYPASS

BASS TREBLE BALANCE

55

4

3

2

l

0

l

2

3

4

LR

55

4

3

2

l

0

l

2

3

4

55

4

3

2

l

0

l

2

3

4

VIDEO AUX

S VIDEO VIDEO L AUDIO R

DELAY

/

C

/

R

/

F

/

SWFR

SET

MENU

EFFECTPROGRAM

NATURAL SOUND AV AMPLIFIER

DSP–A1092

CINEMA DSP

7ch

VCR 2

VIDEO AUX

REC OUT

VCR 1

TV/DBS

PHONO

CD

TUNER

DVD/LD

SOURCE

TAPE (MD)

1 456

JIHGF

EDCBA0987

23

(Europe Model)

* For control keys on the remote control unit, see pages 50 to 52.

14

1 POWER Switch

Turns this unit on and off.

* When you press this switch to turn the power on, you will hear

a click and a sound of the built-in fan rotating for a moment.

2 Standby Indicator

While the power of this unit is on, pressing the (SYSTEM

POWER) OFF key on the remote control unit switches this unit

to the standby mode. In this mode, the standby indicator is

illuminated.

3 Remote Control Sensor

Signals from the remote control unit are received here.

4 Display Panel

See page 16.

5 Input Selector Buttons

Selects an input source that you want to listen to (and watch).

6 Master VOLUME Control

Simultaneously controls volume level at all outputs: front effect,

main, rear effect, center, and subwoofer. (This does not affect

REC OUT level.)

* When the volume is decreased by pressing the MUTE key on

the remote control unit, the indicator on the master VOLUME

control flashes on and off.

7 PHONES Jack

When you listen with headphones, connect the headphones to

the PHONES jack. You can listen to the sound to be output

from the main speakers through headphones.

When listening with headphones privately, set both the

SPEAKERS A and B switches to the OFF position and switch

off the digital sound field processor (so that no DSP program

name is illuminated on the display panel) by pressing the

EFFECT switch.

8 SPEAKERS switches

Set the switch A or B (or both A and B) for the main speakers

(connected to this unit) you will use to the ON position. Set the

switch for the main speakers you will not use to the OFF

position. Selected main speakers are shown by the lighting of

“SPEAKERS A” and/or “SPEAKERS B” on the display panel.

9 BASS EXTENSION Switch

When pressed inward (ON), boosts bass frequency response

at the main left and right channels while maintaining overall

tonal balance. If you do not have a subwoofer, the use of this

switch will be effective to reinforce the bass frequencies.

0 TONE BYPASS switch

When this switch is pressed inward (ON), the input signal does

not pass through the tone (BASS and TREBLE) control circuitry

so that it is unaffected by the tone control circuitry. Use this

switch to obtain pure sound and to check the tone control

setting. Press this switch to release it outward (OFF) to use the

tone control circuitry.

A BASS and TREBLE Controls

Adjust low and high frequency response respectively for the

main channels only.

B BALANCE Control

Adjusts the left and right output volume to the Main Speakers to

compensate for sound imbalance caused by speaker positions

or listening room conditions.

C REC OUT Selector

Selects the source to be recorded to a tape deck or

VCR independently of the setting of the input selector buttons.

However, when set to the SOURCE position, the setting of the

input selector buttons decides the source to be recorded to a

tape deck or VCR.

15

English

D PROGRAM Selector

Sequentially selects the digital sound field processing programs

in the + or – direction.

E SET MENU Switch

Whenever pressed, selects functions in the SET MENU mode.

F DELAY/C/R/F/SWFR Switch

Whenever pressed, selects the item of changing delay time,

center speaker output level, rear speaker output level, front

effect speaker output level and subwoofer output level in turn.

* Depending on a mode of this unit, the number of selections is

reduced. For example, when the built-in digital sound field

processor (including the Dolby Pro Logic Decoder or the

Dolby Digital (AC-3) Decoder) is off, only the item for

changing subwoofer output level can be selected.

G –/+ Button

Adjusts the level of item selected by pressing the

DELAY/C/R/F/SWFR switch. Moreover, performs setting

changes and adjustments for functions selected by pressing

the SET MENU switch.

H EFFECT Switch

Normally ON, this switch can be turned OFF to disable output

from the center and effect speakers so that the sound becomes

normal 2-channels.

* Even if this switch is off, when the Dolby Digital (AC-3) is

decoded, signals at all channels are distributed to the main

channels and output from the main speakers.

I Auxiliary Input Jacks (VIDEO AUX)

Connect an auxiliary video or audio unit such as a camcorder

to these jacks. If the connected video unit has a S video output

terminal, connect it to the S VIDEO jack to obtain a high

resolution picture. The unit connected to these jacks can be

selected by the corresponding input selector button and REC

OUT selector.

J Control Door

See page 4 for how to open and close the control door.

16

1 Input Source Display

Shows the currently selected input source.

2 Multi-informatiom Display

Shows the currently selected DSP program, or information for

several adjustments or setting changes made on this unit.

3 SPEAKERS A/B Indicators

The indicator A or B which corresponds to the currently

selected main speakers lights up. If both main speakers A or B

are selected, both indicators light up.

4 Digital Audio Input Signal Indicators

When digital audio signals not encoded with the Dolby Digital

(AC-3) are input to this unit, “PCM DIGITAL” lights up.

When digital audio signals encoded with the Dolby Digital

(AC-3) are input to this unit, “ DIGITAL” lights up.

5 DIGITAL, DSP and PRO LOGIC indicators

“ DIGITAL” lights up when the built-in Dolby Digital (AC-3)

Decoder is on and the signals of selected source encoded with

the Dolby Digital (AC-3) is not in 2-channels. “DSP” lights up

when the built-in digital sound field processor is on, and “

PRO LOGIC” lights up when the built-in Dolby Pro Logic

Surround Decoder is on. Depending on the selected DSP

program, both “ DIGITAL” and “DSP”, or both “DSP” and “

PRO LOGIC” will light up.

6 SLEEP Indicator

Lights up while the built-in SLEEP timer is functioning.

DISPLAY PANEL

DIGITAL

ENHANCED

SPEAKERS

A

SPEAKERS

B

PCM

DIGITAL

70

mm

DIGITAL

SLEEP

mS dB

DSP

PRO LOGIC

3 4 5 6

1 2

17

English

PHONO

VIDEO

DVD/LD

TV/DBS

IN

VCR 1

OUT

IN

VCR 2

OUT

DVD/LD

TV/DBS

CENTER

C OR D

C D

SEE INSTRUCTION MANUAL FOR CORRECT

SETTING.

CENTER

CAUTION

IN

VCR 1

OUT

IN

VCR 2

OUT

MONITOR

OUT

MAIN CH SUB

WOOFER

FRONT

EFFECT

REAR

PRE

OUT

MAIN

IN

S VIDEO

1

CD

2

TUNER

3

TAPE

PB

AUDIO SIGNAL

GND

AUDIO SIGNAL VIDEO SIGNAL OUTPUT SPEAKERS

COUPLER OUTPUT

5ch 7ch

ON OFF

PAL NTSC

MONITOR

OUT

FRONT

MIX

—

I0dB 0dB

MAIN

LEVEL

CC

D

A

B

A

B

D

REAR

FRONT

EFFECT

MAIN

SWITCHED

AC OUTLETS

IMPEDANCE SELECTOR

VOLTAGE SELECTOR

I00W

MAX.

TOTAL

PCM/

DIGITAL IN

4

REC

OUT

TAPE(MD)

DVD/LD

OPTICAL

COAXIAL

OPTICAL

(AC-3 DIGITAL IN)

TV/DBS

COAXIAL

CENTER C OR D: 4

Ω

MIN./ SPEAKER

SET SPEAKER MODE

C

D: 4

Ω

MIN./ SPEAKER

SET SPEAKER MODE

REAR

4

Ω

MIN./ SPEAKER

MAIN

A

OR

B: 4

Ω

MIN./ SPEAKER

A B

: 8

Ω

MIN./ SPEAKER

FRONT EFFECT

: 6

Ω

MIN./ SPEAKER

CENTER C OR D: 8

Ω

MIN./ SPEAKER

SET SPEAKER MODE

C

D: 4

Ω

MIN./ SPEAKER

SET SPEAKER MODE

REAR

8

Ω

MIN./ SPEAKER

MAIN

A

OR

B: 8

Ω

MIN./ SPEAKER

A B

: 6

Ω

MIN./ SPEAKER

FRONT EFFECT

: 8

Ω

MIN./ SPEAKER

0ABCDEFIJ KHG

12 3 4 56 7 89

REAR PANEL PARTS AND THEIR FUNCTIONS

Before you start making connections make sure all related electronic components are turned OFF.

CONNECTIONS

(General Model)

To AC outlet

18

1 PCM/ DIGITAL IN (COAXIAL and OPTICAL) jacks

Can be connected with audio/video units that have a coaxial or

optical digital output jack. Connect a unit that is connected to

the DVD/LD AUDIO/VIDEO SIGNAL connection jacks to the

DVD/LD COAXIAL or OPTICAL jack.

Connect a unit that is connected to the TV/DBS AUDIO/VIDEO

SIGNAL connection jacks to the TV/DBS COAXIAL or

OPTICAL jack.

* If, for example, your LD player has an AC-3 RF output jack

and no digital output jack for AC-3 discrete audio signals,

connect the AC-3 RF output jack to the DVD/LD COAXIAL or

OPTICAL jack of this unit by way of an RF demodulator

(separate purchase).

2 AUDIO SIGNAL Connection Jacks (for Audio Source

Equipment)

Connect the inputs and/or outputs of your audio equipment.

3 AUDIO/VIDEO SIGNAL Connection Jacks (for Video Source

Equipment)

Connect the audio and video inputs and/or outputs of your

video equipment. In place of the VIDEO jacks, the S VIDEO

jacks can be used for higher resolution and improved picture

quality if your VCR, monitor, etc. are equipped with S-VIDEO

connectors.

4 CENTER OUTPUT Jacks

Center-channel line outputs. Can be connected to input jack(s)

of one or two external power amplifier(s) to drive the center

speaker(s).

5 CENTER SPEAKERS Terminals

When using the built-in center-channel amplifier, connect one

or two center speakers here.

6 Center Speaker Switch

Set to “C + D” when using two center speakers, or to “C OR D”

when using only one center speaker.

7 FRONT EFFECT SPEAKERS Terminals

When using the built-in front effect-channel amplifier, connect

the front effect speakers here.

8 REAR SPEAKERS Terminals

When using the built-in rear-channel amplifier, connect the rear

speakers here.

9 VOLTAGE SELECTOR (General Model only)

Be sure to set to the line voltage in your area before applying

power. Consult your dealer if unsure of the correct setting.

0 GND Terminal

Connects the ground wire of the turntable to produce minimum

hum. In some cases, however, better results may be obtained

with the ground wire disconnected.

A Video NTSC/PAL Switch (General Model only)

Set this switch to the position corresponding to the standard

that your video equipment employs.

B FRONT MIX Switch

Set to “OFF (7ch)” when setting up a full 7 or 6 speaker

system, or to “ON (5ch)” when setting up a 5 or 4 speaker

system.

C MAIN LEVEL Switch

Normally set to “0 dB”. If desired, you can decrease the main-

channel output level at the MAIN SPEAKERS terminals by 10

dB by setting this switch to “–10 dB”.

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