Yamaha AW4416 Návod k obsluze

PROFESSIONAL AUDIO WORKSTATION

E

Operation Guide

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on

different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in

is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in

your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be

connected to the terminal in the plug which is marked by the letter E

or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig

håndtering. Udskiftning må kun ske med batteri

af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd

samma batterityp eller en ekvivalent typ som

rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti

asennettu. Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

• Explanation of Graphical Symbols

The exclamation point within an equilat-

eral triangle is intended to alert the user to

the presence of important operating and

maintenance (servicing) instructions in the

literature accompanying the product.

The lightning flash with arrowhead symbol

within an equilateral triangle is intended to

alert the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufficient magni-

tude to constitute a risk of electric shock to

persons.

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The above warning is located on the

rear of the unit

NEDERLAND THE NETHERLANDS

● Dit apparaat bevat een lithium batterij voor geheugen

back-up.

● Raadpleeg uw leverancier over de verwijdering van de

batterij op het moment dat u het apparaat ann het einde

van de levensduur afdankt of de volgende Yamaha Service

Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Tel. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

● This apparatus contains a lithium battery for memory

back-up.

● For the removal of the battery at the moment of the

disposal at the end of the service life please consult your

retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center

Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Tel: 030-2828425

● Do not throw away the battery. Instead, hand it in as small

chemical waste.

Important

iv

— Operation Guide

Important

Read the following before operating the

AW4416

❒

Warnings

• Do not allow water to enter this unit or allow the unit to become wet. Fire or

electrical shock may result.

• Connect this unit’s power cord only to an AC outlet of the type stated in this

Owner’s Manual or as marked on the unit. Failure to do so is a ﬁre and electri-

cal shock hazard.

• Do not scratch, bend, twist, pull, or heat the power cord. A damaged power

cord is a ﬁre and electrical shock hazard.

• Do not place heavy objects, including this unit, on top of the power cord. A

damaged power cord is a ﬁre and electrical shock hazard. In particular, be

careful not to place heavy objects on a power cord covered by a carpet.

• If you notice any abnormality, such as smoke, odor, or noise, or if a foreign

object or liquid gets inside the unit, turn it off immediately. Remove the

power cord from the AC outlet. Consult your dealer for repair. Using the unit

in this condition is a ﬁre and electrical shock hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power

switch off, remove the power plug from the AC outlet, and contact your

dealer. If you continue using the unit without heeding this instruction, ﬁre or

electrical shock may result.

• If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your

dealer for a replacement. Using the unit with a damaged power cord is a ﬁre

and electrical shock hazard.

• Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

❒

Cautions

• When rack-mounting the unit, allow enough free space around the unit for

normal ventilation. This should be: 10 cm at the sides, 20 cm behind, and 30

cm above.

For normal ventilation during use, remove the rear of the rack or open a ven-

tilation hole.

If the airﬂow is not adequate, the unit will heat up inside and may cause a

ﬁre.

• This unit has ventilation holes at the bottom to prevent the internal tempera-

ture rising too high. Do not block them. Blocked ventilation holes are a ﬁre

hazard.

• Hold the power cord plug when disconnecting it from an AC outlet. Never

pull the cord. A damaged power cord is a potential ﬁre and electrical shock

hazard.

Important

— Operation Guide

v

• Do not touch the power plug with wet hands. Doing so is a potential electri-

cal shock hazard.

• Use only the included power supply cable for this unit. Using other types may

be a ﬁre hazard.

• Always touch a well-grounded metal surface or the like to fully discharge any

static electric charge on your body and clothing before handling an I/O card

or hard disk.

Neglecting this precaution can cause damage to the unit from static electric-

ity.

• Be careful not to touch the leads (metal feet) on the rear side when handling

an I/O card or hard disk. Touching the leads can cause contact defects.

❒

Operating Notes

• Using a mobile telephone near this unit may induce noise. If noise occurs,

use the telephone away from the unit.

• XLR-type connectors are wired as follows: pin 1: ground, pin 2: hot (+), and

pin 3: cold (–).

• Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and

ring: return.

• If the message “LOW BATTERY” appears when you turn on this unit, contact

your dealer as soon as possible about replacing the internal data backup bat-

tery. The unit will still operate correctly, but data other than the presets will be

lost.

We recommend that you save the data on CD-RW drive or external SCSI

device before replacing the battery.

• The performance of components with moving contacts, such switches, rotary

controls, faders, and connectors, deteriorates over time. The rate of deteriora-

tion depends on the operating environment and is unavoidable. Consult your

dealer about replacing defective components.

Handling the CD-R/RW media

Please observe the following points when handling the disk.

Failure to do so may cause problems such as the recorded data being lost, the

drive to malfunction, or the printed label to become blurred.

• Do not place the disk in locations of direct sunlight, high temperature, or high

humidity.

• Do not touch either surface of the disk.

• Hold the disk at the edges. Gently wipe dust or dirt off of the recording sur-

face of the disk.

• Do not wipe the disk with chemicals or detergents.

• Do not bend or drop the disk.

• Use an air duster or cleaner to remove dust. Vigorously rubbing the surface of

the disk with a dry cloth may scratch the disk.

• Do not write on the disk or afﬁx labels to it.

Important

vi

— Operation Guide

Storing produced data

Produced data can be lost due to breakdown or mistaken operation. We recom-

mend that you store all important data on CD-R or CD-RW disks or other external

storage medium.

Responsibility for loss of data, etc.

• Yamaha will accept no responsibility for any damages (including consequen-

tial or incidental) incurred by the customer or any third party as a result of

loss or impairment of the data stored on the CD-R media, regardless of

whether such loss could have been or actually was foreseen by Yamaha.

• Nor does Yamaha guarantee the media against any defect that may render it

unusable.

Cautions for handling optional equipment

• For inquiries concerning I/O card, hard disk, or CD-RW drive handling,

please consult your Yamaha dealer.

• Always switch off the power for the main unit and all peripherals, unplug the

power cord for the main unit from the outlet, then disconnect the cables con-

necting the main unit with the peripherals before starting installation work.

• Wear thick gloves when working on this equipment to avoid cutting your

hands on metal ﬁttings or the like on the main unit, I/O card, hard disk, or

CD-RW drive.

• Always touch a well-grounded metal surface or the like to fully discharge any

static electric charge on your body and clothing before starting to work on

this equipment.

• Take extreme care to avoid touching any terminals or board surface parts.

• In order to protect the electronic circuits of the I/O card, hard disk, CD-RW

drive, etc. from damage due to static electricity, when handling any of this

equipment, take the most extreme care to avoid touching IC leads or other

electronic parts.

• Be careful not to drop any screws into the main unit. If you switch the power

on with a dropped screw still in the main unit, the main unit may malfunction

or break down. If a dropped screw can not be retrieved, consult your Yamaha

dealer.

• If the hard disk or CD-RW drive breaks down, contact the store where you

purchased that equipment.

Except for duplication for personal use or when there is no copyright problem,

the duplication or transfer of commercially sold music/sound data without the

permission of the copyright holder is prohibited. When using this equipment,

please consult with a copyright specialist.

Important

— Operation Guide

vii

❍

Warning

The Yamaha Professional Audio Workstation is designed to be used professionally

and responsibly by recording industry professionals. The reproduction, distribu-

tion, or, in some instances, the public performance, of all or a portion of a sound

recording or musical composition protected by copyright, without having

obtained a proper license from the relevant copyright holders, may constitute

copyright infringement and may otherwise violate copyright laws and other laws.

In addition, laws (such as the Audio Home Recording Act and the Digital Millen-

nium Copyright Act in USA) contain certain restrictions and requirements that

may apply to your use of works protected by copyright and related information

and data that may accompany such works. Violation of such laws may result in

civil remedies and, in some cases, criminal liability.

Because violations of copyright laws may be serious offenses, you should consult

a lawyer familiar with the law of copyright, including all laws that may be appli-

cable to your use of the Workstation (such as the Audio Home Recording Act and

the Digital Millennium Copyright Act in USA), if you have any questions regard-

ing your intended use of all or parts of sound recordings or musical compositions

protected by copyright.

Table of contents

viii

— Operation Guide

Thank you for purchasing the Yamaha AW4416 audio workstation. In order

to take full advantage of the AW4416’s functionality and enjoy trouble-free

operation, please carefully read the “Operation Guide” (this manual) and

the separate “Reference Manual” and “Tutorial.”

Table of contents

Before you begin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Checking the included items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Installing an internal hard disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

About the internal hard disk. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Installation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Installing a CD-RW drive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

About the CD-RW drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

The SCSI ID of the CD-RW drive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Installation procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Removing the transport protection pad. . . . . . . . . . . . . . . . . . . . . . . 9

How to remove the transport protection pad . . . . . . . . . . . . . . . . . 9

Manual eject (emergency disc removal). . . . . . . . . . . . . . . . . . . . 10

Attaching an external SCSI device. . . . . . . . . . . . . . . . . . . . . . . . . . 10

About external SCSI devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Connection procedure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

About terminators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

About SCSI errors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Installing I/O cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

About I/O cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Installation procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Important points you must observe. . . . . . . . . . . . . . . 15

Turning the power on or off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Turning the power on . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Setting the internal clock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Turning the power off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Transporting the AW4416. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Vibration during use . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Chapter 1 Welcome to the world of the AW4416. . . . . . . . .19

Features of the AW4416 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Mixer section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Recorder section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Sampling pad section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Table of contents

— Operation Guide

ix

CD-RW drive (option) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Other features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Signal flow within the AW4416 . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Input patch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Input channels 1–24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Return channels 1/2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Recorder input patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Monitor channels 1–16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Digital cascade connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Stereo output channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Buses 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

AUX buses 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Output patch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Internal effects 1/2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Monitor output/headphone output . . . . . . . . . . . . . . . . . . . . . . . 30

Chapter 2 Parts and their functions . . . . . . . . . . . . . . . . . . 31

Top panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Analog input/output section . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

WORK NAVIGATE section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

UNIT section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

MIXER section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

FADER MODE section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

MIXING LAYER section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

[SEL] keys, [ON] keys, faders . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Display section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Level meter/counter section . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

RECORDER section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

AUTOMATION section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

SCENE MEMORY section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

CURSOR/JOG & SHUTTLE section . . . . . . . . . . . . . . . . . . . . . . . 42

Locate section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Transport section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

SAMPLING PAD section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Chapter 3 The user interface of the AW4416 . . . . . . . . . . . 51

Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Level meters/counter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Basic operation of the AW4416 . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Accessing a screen/page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Using the controls of the top panel . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Table of contents

x

— Operation Guide

Using the mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Turning a button on/off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Using the controls of the top panel . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Using the mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Editing the value of a fader/knob/numerical box . . . . . . . . . . . . . 58

Using the controls of the top panel . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Using the mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Using the additional function buttons . . . . . . . . . . . . . . . . . . . . . 59

Using the controls of the top panel . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Using the mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Inputting text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Using the controls of the tab page. . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Using the mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Selecting channels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Chapter 4 Connections and setup . . . . . . . . . . . . . . . . . . . . .67

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Word clock settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Chapter 5 Recording on the AW4416 . . . . . . . . . . . . . . . . . .73

Preparations for recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Connections and start-up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Creating a new song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Recording the first tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Set the input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Assign the signals to buses. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Set the tracks to record-ready mode. . . . . . . . . . . . . . . . . . . . . . . 82

Make monitor settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Let’s record!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Overdubbing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Set the input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Assign the signal to a bus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Put the track in record-ready mode . . . . . . . . . . . . . . . . . . . . . . . 89

Make monitor settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Using EQ and the dynamics processor. . . . . . . . . . . . . . . . . . . . . 91

Using the four-band EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Using the dynamics processor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Let’s overdub! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Mixdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Creating the mix balance of the tracks . . . . . . . . . . . . . . . . . . . . . 95

Using the Solo function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Using the internal effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Other convenient functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Fader groups. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Mute groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Table of contents

— Operation Guide

xi

Recording the stereo track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Saving a scene/song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Saving a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Saving a song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Chapter 6 Transport/locate operations. . . . . . . . . . . . . . . 109

Table of transport key operations . . . . . . . . . . . . . . . . . . . . . . . . . 109

Shuttle function (cue/review operation). . . . . . . . . . . . . . . . . . . . 110

Nudge function. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Using the Nudge function. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Nudge function settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Rollback function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Locating to a specific point. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Locating to the zero location of the counter. . . . . . . . . . . . . . . . . 115

Setting the zero relative time location . . . . . . . . . . . . . . . . . . . . . . . 115

Locating to the start/end points . . . . . . . . . . . . . . . . . . . . . . . . . . 117

A-B repeat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Setting the A/B points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Performing A-B repeat playback . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

In/out points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Setting the In point/Out point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Setting a marker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Locating to a marker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Adjusting the location of a locate point . . . . . . . . . . . . . . . . . . . . 123

Deleting a locate point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Deleting a locate point using the panel keys. . . . . . . . . . . . . . . . . 126

Deleting an In/Out point or A/B point . . . . . . . . . . . . . . . . . . . . . . . 126

Deleting a marker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Chapter 7 Punch-in/out . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

About punch-in/out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Manual punch-in/out (

→

P.128) . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Auto punch-in/out (

→

P.130). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Manual punch-in/out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Preparations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Make input monitor settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Connect a foot switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Manual punch-in/out recording . . . . . . . . . . . . . . . . . . . . . . . . 129

Auto punch-in/out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Preparations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Make input monitor settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Set the auto punch-in/out points . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Set the pre-roll/post-roll times . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Rehearsing and recording with auto punch-in/out. . . . . . . . . . . 131

Rehearsing with auto punch-in/out . . . . . . . . . . . . . . . . . . . . . . . . . 131

Recording with auto punch-in/out. . . . . . . . . . . . . . . . . . . . . . . . . . 132

Table of contents

xii

— Operation Guide

Chapter 8 Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .133

Patching to the input channels . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Patching to the recorder inputs. . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Patching to the outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Patch library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Storing to the patch library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

Recalling a patch program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Patching input/output jacks to an insert I/O point . . . . . . . . . . . . 140

Using the Quick Rec function . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Chapter 9 Track and virtual track operations. . . . . . . . . . .147

The track structure of the AW4416. . . . . . . . . . . . . . . . . . . . . . . . 147

Switching virtual tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Pairing tracks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

Editing tracks and virtual tracks . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Tracks, parts, and regions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Naming a virtual track or region . . . . . . . . . . . . . . . . . . . . . . . . 153

Naming a virtual track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Naming a region. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Track editing procedure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Virtual track editing procedure . . . . . . . . . . . . . . . . . . . . . . . . . 159

Editing command list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

TRACK menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

PART menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

REGION menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Chapter 10 Internal effects . . . . . . . . . . . . . . . . . . . . . . . . . .165

About the internal effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Using AUX send/return . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Inserting an effect into a channel . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Using AUX send/return to apply an effect. . . . . . . . . . . . . . . . . . . 166

Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Recalling an effect program from the library . . . . . . . . . . . . . . . . . . 167

Switching between pre-fader and post-fader . . . . . . . . . . . . . . . . . . 169

Adjusting the send level/return level . . . . . . . . . . . . . . . . . . . . . . . . 170

Adjusting the send level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Inserting an effect into a desired channel . . . . . . . . . . . . . . . . . . . 171

Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Inserting an effect into monitor channel 1. . . . . . . . . . . . . . . . . . . . 172

Recalling an effect program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Chapter 11 Song management . . . . . . . . . . . . . . . . . . . . . . .175

About songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Song structure and size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Song structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Table of contents

— Operation Guide

xiii

Usable hard disks/song capacity . . . . . . . . . . . . . . . . . . . . . . . . 176

Work area for audio CD production . . . . . . . . . . . . . . . . . . . . . 176

Saving/loading a song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Saving the current song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Loading a song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Editing the song name/comment . . . . . . . . . . . . . . . . . . . . . . . . . 179

Deleting/copying a song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Deleting a song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

Copying a song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Optimizing a song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Importing mixer data of an existing song . . . . . . . . . . . . . . . . . . . 183

Chapter 12 Sampling pads . . . . . . . . . . . . . . . . . . . . . . . . . . 185

About the sampling pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Assigning the pad outputs to channels . . . . . . . . . . . . . . . . . . . . . 186

Assigning a region to a sampling pad . . . . . . . . . . . . . . . . . . . . . . 187

Trimming a sample . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Naming a pad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193

Erasing a pad sample and name . . . . . . . . . . . . . . . . . . . . . . . . . . 194

Recording your performance on the sampling pads . . . . . . . . . . . 196

Copying a pad performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Erasing a pad performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Chapter 13 Scene memory . . . . . . . . . . . . . . . . . . . . . . . . . . 203

About scene memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Parameters included in a scene. . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

About scene numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Storing a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Recalling a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Editing the name of a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Protecting a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Changing the order of scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Using keys to store/recall a scene. . . . . . . . . . . . . . . . . . . . . . . . . 211

Storing a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Recalling a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Chapter 14 Automix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

What is automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Creating a new automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

Recording the first section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Playing back automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Overwriting events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Automix punch-in/out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Table of contents

xiv — Operation Guide

Editing the fader movements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223

Editing automix off-line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Storing an automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Recalling an automix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Chapter 15 MIDI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .231

What you can do using MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

MIDI connectors and the TO HOST connector. . . . . . . . . . . . . . . 232

Using the TO HOST connector for direct connection to your

computer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233

Setting the PORT SELECT parameter . . . . . . . . . . . . . . . . . . . . . 234

Switching AW4416 scenes from an external device . . . . . . . . . . . 235

Using MTC to synchronize the AW4416 and a MIDI sequencer . . 238

Using MIDI Clock to synchronize the AW4416 and a MIDI

sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Using MMC to control the AW4416 . . . . . . . . . . . . . . . . . . . . . . . 243

Chapter 16 Backing up and restoring songs . . . . . . . . . . . . .245

Selecting the backup format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Backing up a song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Restoring a song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248

Disk utilities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Formatting the internal hard disk/external SCSI device. . . . . . . . 250

Formatting the internal hard disk. . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Formatting an external hard disk. . . . . . . . . . . . . . . . . . . . . . . . . . . 251

Formatting removable media such as an MO drive . . . . . . . . . . . . . 253

Erasing CD-RW media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Chapter 17 Mastering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .255

About mastering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255

Stereo tracks that can be mastered. . . . . . . . . . . . . . . . . . . . . . . 255

CD-R and CD-RW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Track At Once and Disc At Once . . . . . . . . . . . . . . . . . . . . . . . 257

Preparations for mastering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Mastering mode settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Writing the master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Finalizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Playing CD-R/RW media (the CD Play function). . . . . . . . . . . . . . 264

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

— Operation Guide 1

Before you begin

This chapter explains preparations you need to make before using the

AW4416, such as checking the included items and installing options.

Checking the included items

Please make sure that the package contains the following items. If any items are

missing, please contact your dealer.

• AW4416 mixer/recorder unit: 1

• Operation guide (this document): 1

• Reference guide: 1

• Tutorial: 1

• Power supply cable: 1

• CD-ROM: 1

• Red and white cable for CD-RW drive (four conductor): 1

• Screws for installing 2.5 inch hard disk/CD-RW drive: 8

• ADP25H 2.5 inch hard disk adapter: 1 (pre-installed in the 2.5" HARD DISK

DRIVE slot on the rear panel of the AW4416)

❍ Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis

are registered trademarks of Alesis Corporation. Apple and Macintosh are regis-

tered trademarks of Apple Computer, Inc. Tascam Digital Interface is a trademark

and Tascam and Teac are registered trademarks of Teac Corporation. MS-DOS is a

registered trademark and Windows is a trademark of Microsoft Corporation.

Yamaha is a trademark of Yamaha Corporation. All other trademarks are the prop-

erty of their respective holders and are hereby acknowledged.

❍ Copyright

No part of the AW4416 software or the manuals may be reproduced or distrib-

uted in any form or by any means without the prior written authorization of

Yamaha Corporation.

❍ Yamaha website

<http://www.yamaha.co.jp/product/proaudio/homeenglish/>

Before you begin

2 — Operation Guide

Installing an internal hard disk

You must install a hard disk in the AW4416 before using it. If you attempt to use

the AW4416 without installing a hard disk, the recorder section and mixer sec-

tion will fail to operate correctly, and the AW4416 will be damaged as well.

About the internal hard disk

On the AW4416, all data necessary for reproducing a composition (mixer set-

tings, recorder settings, audio data etc.) is stored on the hard disk as a “song.”

An internal hard disk is attached to the ADP25H 2.5 inch hard disk adapter and

installed in the 2.5" HARD DISK DRIVE slot located on the rear panel. Hard disks

with the following speciﬁcations can be used.

• Type: IDE 2.5 inch (attachment location conforms to SFF-8201)

• Thickness: no particular limitation

• Capacity: no particular limitation (however, the AW4416 can use a maximum

capacity of 64 GB)

• Models known to work: consult your local Yamaha distributor or refer to the

website at the following URL.

<http://www.aw4416.com/>

• By “models known to work,” we mean commercially available models that

Yamaha has obtained, installed in the AW4416, and successfully tested by

means of various operational tests. However, we cannot take into account

slight differences in performance that may occur due to the manufacturing tol-

erances of each manufacturer.

• Hard disks are precision devices. Strong physical shock, magnetism, static

electricity, or excessive current etc. can damage the data on a hard disk. You

must use media such as an external SCSI device or CD-RW to backup your

important musical data.

• Please be aware that Yamaha Corporation will accept no responsibility for any

damages, neither direct nor indirect, resulting from the use of any of the above

hard disks.

Before you begin

— Operation Guide 3

Installation

Please read and observe the cautions on installing optional equipment listed at

the beginning of this manual.

Here’s how to attach a 2.5 inch IDE hard disk to the ADP25H hard disk adapter

included with the AW4416, and install it into the appropriate slot of the

AW4416.

• Hard disks are precision devices. Do not subject them to physical shock or

static electricity, etc.

• Do not place a hard disk nearby devices that produce a strong magnetic ﬁeld,

or in locations of extreme cold, heat, or moisture.

• Before you handle a hard disk, touch your hand to a grounded metallic object

to release any static charge that may be present in your body or clothing. If you

fail to do so, static electricity may damage the hard disk.

• Never attempt to disassemble a hard disk or apply excessive force to it.

• The AW4416 is shipped with four screws for attaching a 2.5 inch hard disk,

and four screws for attaching a CD-RW drive, making a total of eight included

screws of the same type.

1. You will need the following items.

• The AW4416 itself

• A 2.5 inch IDE hard disk (sold separately) for installation

• Four screws included with the AW4416 for attaching the 2.5 inch hard disk

• A philips (+) screwdriver

2. Make sure that the power of the AW4416 is turned off. For safety’s sake,

disconnect the power cable from the AC outlet.

3. On the rear panel of the AW4416, remove the two screws that hold the

ADP25H 2.5 inch hard disk adapter to the 2.5" HARD DISK DRIVE slot.

ADP25H

(2.5 inch hard disk adapter)

Before you begin

4 — Operation Guide

4. Place the hard disk on the ADP25H as shown in the diagram below,

align the screw holes of the hard disk and the ADP25H, and use your

screwdriver to fasten the screws at the four locations shown.

5. Plug the connector of the ﬂat cable extending from the ADP25H into

the connector of the hard disk.

• Even if it is difﬁcult to plug in the connector, do not use excessive pressure to

force it in. This may damage the hard disk, or you may injure yourself.

6. Aligning the ADP25H (with the hard disk attached) with the rails inside

the 2.5" HARD DISK DRIVE slot, push it in until it clicks into place.

7. Use the screws that you removed in step 3 to fasten the ADP25H into

the 2.5" HARD DISK DRIVE slot.

If you fail to tighten the screws all the way, the hard disk may vibrate and fail to

operate correctly.

• Do not turn on the power of the AW4416 until all options have been installed.

• When you turn on the power of the AW4416 after installing a new hard disk,

formatting of the hard disk will begin automatically (

→

P.15).

Flat cable

Flat cable connector

Before you begin

— Operation Guide 5

Installing a CD-RW drive

About the CD-RW drives

A CD-RW drive is an option that allows you to create music CD’s, to backup/

restore internal hard disk data, to play a music CD or to read a CD-ROM. An

internal-type CD-RW drive can be installed by removing the CD-RW drive cover

from the front panel. CD-RW drives with the following speciﬁcations can be

used.

• Interface: SCSI-2

• Models known to work: consult your local Yamaha distributor or refer to the

website at the following URL.

<http://www.aw4416.com/>

• By “models known to work,” we mean commercially available models that

Yamaha has obtained, installed in the AW4416, and successfully tested by

means of various operational tests. However, we cannot take into account

slight differences in performance that may occur due to the manufacturing tol-

erances of each manufacturer.

• Please be aware that Yamaha Corporation will accept no responsibility for any

damages, neither direct nor indirect, resulting from the use of any of the above

CD-RW drives.

* Note that the cover panel of the AW4416 cannot be attached to a CD-RW

drive with a lid-type tray. The AW4416’s cover panel can be attached to a CD-

RW drive with a tray of the following dimensions.

❒ The SCSI ID of the CD-RW drive

• The SCSI ID of the AW4416 itself is ﬁxed at “6.” For this reason, you must set

the SCSI ID of the CD-RW drive to “6” before installing it.

Maximum 138 mm

Before you begin

6 — Operation Guide

• In the various screens of the AW4416, the SCSI ID of the internal CD-RW

drive has been set to “3” by default. For this reason, you will ﬁnd it conve-

nient to set the ID of the CD-RW to “3.” (For details on setting the SCSI ID,

refer to the manual for your CD-RW drive.)

• If you are installing a CD-RW drive manufactured by Yamaha, the SCSI ID will

be set to “3” at the factory, and we recommend that you leave it at this setting.

Installation procedure

Please carefully read the cautions for installing optional equipment given at the

beginning of this manual.

1. You will need the following items.

• The AW4416 itself

• Internal CD-RW drive (option)

• Screws (included with the AW4416) for attaching the CD-RW drive

• Red and white cable for CD-RW drive (four conductor)

• Philips (+) screwdriver

• Work surface

• In order to install the CD-RW drive you will need to turn the AW4416 on its

back. Make sure that you have a sufﬁciently broad work surface.

• The AW4416 is shipped with four screws for attaching the 2.5 inch hard disk,

and four screws for attaching the CD-RW drive, making a total of eight screws

of the same type.

2. Make sure that the power of the AW4416 is turned off. For safety’s sake,

disconnect the power cable from the AC outlet.

3. Turn the AW4416 upside down on the work surface.

When turning the AW4416 upside down, we recommend that you use the pack-

ing foam from the AW4416’s shipping carton as shown in the diagram at above,

so that the controls of the top panel are not damaged. If the packing foam is not

available, please spread out a soft cloth, and support each of the four corners of

the AW4416 with a stack of magazines etc.

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